Accento has been a manufacturer of chairs and furnishing accessories since 1931 when it was founded by grandfather Lino
Accento has been a manufacturer of chairs and furnishing accessories since 1931 when it was founded by grandfather Lino
Alivar nace en Florencia, en la región italiana de la Toscana, en 1984.
Una empresa dinámica, que presta una atención constante a la evolución tecnológica y a la investigación en el ámbito del diseño y de la arquitectura, con colecciones para cada ámbito del interiorismo. El ambiente Alivar se caracteriza por un gusto bien definido, es un trabajo en continua evolución, que no está vinculado a un único producto, sino a la propuesta global. Hemos trabajado con diferentes materiales, tratando de valorizar sus características intrínsecas y hemos cuidado cada detalle con la máxima precisión.
Las piezas, si bien son contemporáneas, nunca se encuentran vinculadas a las modas, sino a una
interpretación del ambiente bien definida.
Dos colecciones, Home Project y Brilliant Lifestyle, para el estilo de vida contemporáneo, que no olvida el pasado pero que mira siempre hacia el futuro.
In 1947 Carlo Barassi, engineer of Pirelli, together with Renato Teani, in the financial dpt. of Pirelli, Pio Reggiani and Aldo Bai, founded the company Ar-flex (flexible furniture), that became later arflex.
They worked together with a young architect Marzo Zanuso and began to experiment the use of foam rubber and elastic tapes for the furniture market.
In history and life of a company there are events and moments of special meaning, which are awards for merit acknowledged by everybody. Those first memorable moments in the history of arflexcoincide with the company's creation, in modest premises in Milan's Corso di Porta Vittoria. It was there that the first manufacturing and sales team was formed, but the arflex company was only presented to the public for the first time in 1951, at the IX Triennale in Milan,after two years of experimentations. This early contact with a wider audience in the context of an avant-garde artistic event is intensely significant in the company's history, because right this experimental interest, if not separated from commercial purposes, shows the will of creating high technological and esthetical level products, based on deep research and experimentation. The golden medal at the IX Triennale assigned to Lady armchair was above all recognition of Arflex manufacturing philosophy.
The foundations of Artifort were laid by Jules Wagemans when he set up business as an upholsterer in Maastricht in 1890. His son, Henricus Wagemans, expanded the company into a furniture factory, which had a showroom in Amsterdam by the end of the nineteen twenties and was already well known nationally.
The economic recession of the nineteen-thirties forced H. Wagemans & Van Tuinen, as the furniture company was then known, to create a distinctive profile. Developing a catchy brand name and logo was a start. And naturally the furniture had to be distinctive too. The emphasis came to lie on functionality, comfort and quality combined with aesthetically pleasing design and an innovative use of materials.
In 1928 the new brand name was introduced: Artifort, derived from the Latin word ‘ars’ meaning art or knowledge, and ‘fortis’ meaning strong or powerful. The word ‘comfort’ is also reflected in this brand name.
Founded at the end of the 50's, during the period of maximum development of Italian design research, BBB operates in the design industry with its own special identity. Rather than simply following the ultimate trends, the company took on the role of driving force between experimentation and tradition. In its role of intermediary, BBB was able to represent the ever-changing spirit of the times in a modern yet always balanced style, thus creating an updated and elegant Italian living culture. The list of collaborators that have accompanied BBB in this evolution is alone a witness of what they accomplished over the years: from Achille and Pier Giacomo Castiglioni, Giandomenico Belotti, Giorgio Decursu, De Pas D'Urbino Lomazzi, Paolo Ferrari, Carlo Santi, the masters, and the present designers as René Barba, Alessandro Bosco, Dror Benshetrit, Massimo Colombo, Edy and Paolo Ciani, Lorenzo Damiani, Carlo Forcolini, Giovanni Giacobone & Massimo Roj, Franco Poli, Ilaria Prato, Marcello Ziliani. A heritage which reveals its contemporary appeal in this new catalogue that collects and compares projects of the past and of today, almost a dialogue about the meaning of contemporary living and the value of design, style and project.
Desde sus comienzos en los años 70, BD siempre ha sido una empresa atípica. El que sus fundadores y todavía propietarios proviniesen de la arquitectura y no del mundo empresarial marcó desde sus inicios un culto a la belleza de los objetos en algunos casos por encima de su función. Ello unido a procesos de producción más artesanales que industriales, facilitó el desarrollo de productos más cercanos al arte que al diseño industrial. Se caracterizan por su altísima calidad, por producirse en series muy cortas (en ocasiones son series limitadas), y por una manufactura artesanal que hace que cada producto sea único. En los años ochenta BD sorprendió editando el mobiliario que Gaudí creó para sus famosos edificios y en los comienzos de los noventa volvió a sorprender presentando en exclusiva la primera colección de muebles y lámparas diseñados por Dalí. Recientemente las colecciones de diseñadores con un acentuado perfil artístico como Jaime Hayon o Doshi Levien han continuado marcando este camino donde el diseño y el arte se encuentran.
The identity of Bitossi Ceramiche starts from the beginning of 1900’s and develops upon a productive ceramic tradition that existed in Montelupo Fiorentino starting from 1500. The Bitossi family business produces artistic ceramics, at least since 1871. It will be Guido Bitossi, heir to the ceramic tradition, to establish in 1921 the “Manifattura Maioliche Artistiche” featuring typical local craft works. The traditional production was renewed thanks to the Art Direction of Aldo Londi, a man attentive to the evolution of taste and with a natural born creative and aesthetical sense. The meeting with the architect Ettore Sottsass was of primary importance and it turned into a close collaboration with Londi for many years. Together they will give birth to successful lines which combined and magnified skill and genius. Bitossi Ceramiche still is in the original factory and it is still the destination for leading design characters who are fascinated by the historical value of the company and by craft production and create unique collections which are then recognizable in the nicest international shops. This attitude bound to the entrepreneurial skills developed throughout the years and to the constant research for quality product, helped to create its own identity for Bitossi Ceramiche, qualifying it as an example of Italian excellence. The family thus started to collect over 7000 historical works, documents and material related to the artistic ceramic production since 1871, and so it was created a massive Archive. Thanks to this collection in 2003 it was opened the main core of MAIB – Bitossi Artistic Industrial Museum, managed by the Vittoriano Bitossi Foundation, a direct offshoot of the family. In 2011 MAIB became member of MUSEIMPRESA, Italian Association of Enterprise Archives and Museums.
Brionvega is an Italian electronics company, established in Milan in 1945, now located in Pordenone, Friuli-Venezia Giulia, Italy.
The company was founded in 1945 by Giuseppe Brion and engineer Pajetta. Initially called B.P.M. Company and manufacturing electronic components, the business became known as Brionvega in 1960. In the early 1960s, two unusually designed portable television sets, designed by Marco Zanuso and Richard Sapper, were launched by Brionvega by the names "Doney" (1962) and "Algol" (1964).
In 1969 Brionvega released the "Cubo" television (production now ceased). This set was designed by Mario Bellini and became a classic of that era and is on permanent display at the Museum of Modern Art in New York. An updated version of this television was produced in 1992 with the same exterior casing but new electronics but this is now out of production.
Starting from the 1960s Busnelli has been producing trend-setting designs and using state-of-the-art technology to make high-quality furniture. The Milan-based company's main focus has been on seating furniture, and is especially known for its beautiful sofas. A hallmark of Italian design abroad, Busnelli has been consistently producing fashionable, superior quality chairs and sofas for over 50 years
Cantori is a manufacturer with a sublime sensibility towards art. Since 1976, Cantori has relied on the extensive experience of small traditional manufacturers from Central-Eastern Italy to develop a high-quality laboratory. Cantori's furniture is traditional and romantic, but is made using modern technologies and work ethics. Cantori's approach towards design is obvious in its graceful products, which reveal attention to detail and careful craftsmanship.
Casamania is an Italian design company founded in 1984. It offers designs strongly characterized by bold colours and distinctive shapes, bringing a visual harmony to any space. Thanks to a series of collaborations with international designers, Casamania is able to offer a new vision of decor, as an expression of lifestyle, philosophy and personality.
While Cinova has been a well-established company for over forty years, it has only moved from upholstery to furniture production since 2009. Based near Milan, the Cinova factories have successfully moved into manufacturing high-quality beds and bedroom furniture. Thanks to Cinova's background, its beds are especially comfortable and well-thought out. On the other hand, Cinova has sought out some of the most respected designers in the field, including Enrico Cesana and Castello Lagravinese, to produce beautiful, sleek and stylish beds.
Colé Italian Design Label is a new brand of Italian design, launched in Milan during Salone del Mobile 2011. Founded by Matteo De Ponti and Laura Macagno, aims to create a new way of making design, based on a sophisticated expressive research and an unpublised collaboration among all subjects taking part in the productive chain. The first collection, designed in collaboration with designers Lorenz / Kaz and Aksu / Suardi, is the result of rethinking traditional furniture with a certain degree of contamination (of signs, materials, cultures) which leads to read back in light and ironic way many archetypal forms.
Tener una mirada diferente, el deseo de cambiar y renovar, anima el espíritu precursor de la empresa fundada en 1956 por Fernando y Maddalena De Padova, caracterizada por una fuerte actitud de apertura a lo moderno, un gusto instintivo por la belleza y una atención al proyecto suficiente de por sí. Para indicar el camino, y hacerlo extraordinario, los grandes maestros reunidos juntos en un único catálogo: Achille Castiglioni, Pierluigi Cerri, Michele De Lucchi, Charles y Ray Eames, Vico Magistretti, Ingo Maurer, George Nelson, Dieter Rams… Motivo inspirador de acuerdos al unísono, de un gran sinfonía a la que después se han añadido, a partir de principios del siglo XXI las notas de diseñadores de talento emergentes que han enriquecido las propuestas de catálogo. Un recorrido realizado estableciendo conexiones en el tiempo y en el espacio, con referencias culturales específicas, que van de la tradición popular a la síntesis clásica, del rigor tecnológico a la versatilidad nómada de los ambientes contemporáneos. Un imprinting que ha decretado en el tiempo aquel lenguaje especial y único DePadova hecho de intuiciones de estilo refinadas. La fusión con Boffi, que se producjo en 2015, parece acentuar esta inclinación, empezando por la concepción innovadora del actual showroom que, de hecho, ha marcado un nuevo inicio. La colección histórica, con el art direction de Piero Lissoni, se recoge bajo una luz diferente con pocas y delicadas intervenciones de modernización y se abre a piezas inéditas, firmados por el mismo Lissoni, por Nendo, Maarten van Severen y otros brillantes descubrimientos. El loft encantador de via Santa Cecilia, nueva dirección de DePadova, se convierte en un lugar donde imaginar y diseñar su casa o el entorno de trabajo.
Designer Carpets has been producing beautiful rugs for 30 years. By following strict rules in the selection of the yarn and the methods of production, Designer Carpets manufactures superior quality, durable and unique carpets. Style is at the heart of Designer Carpets' philosophy. As such, the company has been collaborating for decades with some of the most renowned and innovative designers on the international fashion scene. All Designer Carpets rugs are made in Germany using Azo-free dyes. Designer Carpets has been nominated for the Interior Innovation Award 2003 from the German Design Council
Every manufacturing company has its signature style; Driade's is undoubtedly its eclectic elegance. The company's modern design is consistently paired with a traditional sensibility towards historical leitmotifs. The manufacturing process also combines advanced technologies and new materials with old-fashioned care and attention to detail. That is why every Driade product is unique and timeless.
In its 40 years of history, Emmebi has succeeded in establishing itself internationally as a furniture manufacturer characterized by extreme sensibility towards design and materials. Run by the two daughters of the founder, Emmebi design focuses on producing functional and original pieces that are essential and elegant at the same time. Emmebi design's products are carefully crafted to maximize durability while exalting their beauty.
Estel is an historical furniture company of the Italian Design, founded in 1937 by Alfredo Stella, developed and managed by Alberto, the current President at the helm for 30 years with his brother Pierluigi, and now supported by his sons, Massimo and Matteo.
Until the late 70s, the company manufactured home furnishings for the Italian domestic market. Wardrobes, beds & nightstands, as well as bookcases, tables, chairs and sofas are still best-sellers.
The Office division was born in 1980: it includes products for executive and managerial spaces, as well as seating and partition walls. Since the 90s, Estel has been a leader on the Italian market in the manufacture of OFFICE furniture.
Founded in 1882, the company is currently managed by the third generation of the family with Giovanni and Michele Gervasoni. The aesthetic standards and production techniques have changed over the years. Not the passion for beauty and artfully made. Attention to detail, the use of natural materials crafted with mastery, suggestions of places near and far remain the hallmarks of Gervasoni products. The company designs, develops, manufactures and markets furniture solutions for the home and for the contract sector in its production facility of 30000 sq. m in Pavia di Udine, that has 80 employees. Collaboration with some of the most qualified designers such as Paola Navone – artistic director of the company – Marco Piva, Michael Sodeau and Jasper Startup, guarantees the aesthetic quality of the products and continued experimentation with new materials.
Founded by the Arosio family in Brianza Italy, Glas Italia is based on glass craftsmanship and collaboration with designers including Ettore Sottsass and Piero Lissoni. Described by Sottsass as one of the most openminded industrialists he had ever worked with, Glas Italia specialises in producing large glass and crystal plates and invented a system to produce coloured mirror plates. Working with Ettore Sottsass the group produced some of the most dynamic pieces using this new technology. Today the collection continues to be guided by colour.
I.C.F. Industrie Carnovali, with over 50 years' experience in metal processing, develops and manufactures exclusive furnishing lines paying particular attention to the choice of materials and finishing, ensuring a high quality product and an exclusively Italian production.
They propose modern and essential lines of bookcases, chairs, armchairs, tables and furnishings and author's pieces designed by internationally renowned designers.
Protagonists of the collection are several original designs of Joe Colombo that we produce and distribute upon permission by Studio Joe Colombo of Milan.
Materials such as stainless stell, aluminium light alloys, leather, fabric, wood and crystal coexist harmoniously, creating pure shapes underlined by the colours.
The combination of the latest technology and the Italian craftsmanship ensures very high quality products. Combining innovation creativity to rigorous style we offer an assortment of forniture with minimalist decor and timeless elegance to an international audience.
Kundalini es una empresa que se caracteriza por una fuerte identidad y por un estilo cosmopolita, innovador y sofisticado.
Es una empresa que habla un lenguaje universal y contemporáneamente extremamente reconocible.
Su espíritu anticonvencional une, desde siempre, a la sutil poesía de la forma la máxima funcionalidad y el uso práctico plasmando los mejores materiales a través de obras de vanguardia.
Cada producto Kundalini nace de una fuerte idea y relata una específica trayectoria creativa y tecnológica. Todos son coherentes con la filosofía de la empresa que une desde siempre un enfoque anticonvencional y la búsqueda de nuevas estéticas con un profundo conocimiento de los materiales y de las tecnologías.
Las lámparas Kundalini están caracterizadas por un sentido del color y de la geometría siempre inédito y con un alto índice creativo y extraen la inspiración, en cada ocasión, de mundos diversos.
La naturaleza, los escenarios industriales, las artes visuales son sólo algunos de los contextos observados y reinterpretados para dar vida a las lámparas donde la forma y la función se entrelazan y se completan hasta dar lugar a elementos indivisibles, una síntesis siempre perfectamente calibrada entre función y emoción.
Based in north-eastern Italy, near Udine, L'Abbate is known for its high-quality and tasteful products. Despite its long history, the company has remained open to innovation and dynamic. As such, in recent years it has produced a wide variety of furniture designed by Italian and northern European designers, both established and emerging on the international scene. Thanks to its unique approach to design, L'Abbate remains one of the most respected and successful furniture manufacturers on the Italian and international scene.
LaCividina was founded in 1976 in Friuli-Venezia Giulia, in the North East of Italy. It is now a leading manufacturer of armchairs and sofas, working both as a contractor and for private customers. A quintessentially Italian approach is tangible in every design and flawlessly encapsulated in the products thanks to the carefully selected materials and finishes, as well as the tailored service for customers.
El éxito de Lapalma viene de lejos, un paso después de otro. Sin golpes de suerte imprevistos, pero con mucho trabajo y tanta pasión.
Intuición, tenacidad, saber hacer y sobretodo, con incansable pasión. Combinando con destreza el metal y la madera, materiales que desde hace más de treinta años la empresa forja sabiamente y combina con madera, cuero, telas: dando forma a piezas de mobiliario que se expresan en líneas limpias e intemporales.
Antoine Roset abrió una fábrica de transformación de la madera en Montagnieu, en la provincia de Ain de Francia. Pronto después, él y su hijo Emile comenzaron a producir paraguas de madera, bastones y, tal vez presagiando, marcos de silla.
Durante la posguerra 1950 el nieto de Antoine, Jean, rápidamente cambió el foco de la empresa-la cual en ese tiempo empleaba 50 personas- a muebles de comercio. y fueron utilizadas en una variedad de instituciones, incluyendo escuelas, universidades, hospitales y residencias de ancianos. Un crecimiento extraordinario pronto siguió y, 10 años después Jean Roset entró al mercado interno.
Los hijos de Jean, Pierre y Michel, se unieron a la empresa familiar durante la explosión de la creatividad - el sello distintivo de la década de los años 1970 y 1960 - que presentó una oportunidad oportuna para revitalizar a la empresa al trabajar con arquitectos de interiores y diseñadores como Michel Ducaroy. La marca Ligne Roset se hizo oficial en 1973 con la primera apertura de la tienda, junto con el lanzamiento de Togo de Michel Ducaroy, una pieza atemporal, icónica quepieza icónica que sigue cautivando al público.
Perfect, harmonious proportions and a feeling of understated luxury: these are the distinguishing features of Living Divani, the dynamic and vibrant family-owned company, that has made its trademark of upholstery.
Since the early 1970s, the company has followed a clear path, maintaining an intensive dialogue with the contemporary world and becoming one of the landmarks in the design landscape. Strategic is the alliance with Piero Lissoni: since 1988 he has led the firm’s unique style in his dual role as art director and designer.
Living Divani collaborates with personalities such as Shiro Kuramata, Francesco Rota, Arik Levy, Claesson Koivisto Rune, Junya Ishigami, Harry&Camila, Nathan Yong, who all share the company’s style and approach to design.
Over the years Living Divani has developed a vast and varied offer in a gradual process of creation of a complete living environment, which revolves around the upholstery system, with its subtle shapes and proportions, to ombine with characterful complements - seats, armchairs, beds,tables, bookcases and carpets and an outdoor collection - that will suit and define any setting, from the essential and rigorous to the multifarious and eclectic décor.
Miniforms is a bizarre kind of. She always wears colourful outfits with strange shapes that stand out her soft and clean face. You can regularly see her talking with a lot of young talented designers. Sometimes you can see her in a coffee shop dressed as a bourgeois and chatting with the Irony and with the Avant Garde. Sometimes with the Environmentalist sharing love for the environment and wood. In the ’70, when they listened David Bowie music in disco, she was named differently. She was known as Industria Veneta Tavolinetti, Inveta for friends. In the ’80, when the new wave music was cool, she was looking at Europe. She started to travel, but she was still discrete. But now you can easily find her in Melbourne skyscrapers, in Madrid restaurant, in London design studio, talking fluently with a lively and fresh tone. As time goes by she looks always younger.
The history of MisuraEmme started in the ’20s of the last century by two skilled craftsmen, Giuseppe and Luigi Mascheroni, who in 1939 founded the base of the company in Mariano Comense in the heart of the prolific district of furniture Brianza, well known for its excellent manufacturing. Today the establishment has a surface of 35.000 mq. Passed on by three generations, the know-how of MisuraEmme is the result of consolidated knowledge over time and loyalty to strong and imperative values. 100% made in Italy, designed by famous architects and realised making use of the artisan culture of professionals of the Brianza area. The products of MisuraEmme embody the wish to combine tradition with innovation. Today the company is not only capable of proposing furniture characterised by a high level of personalisations and one-on-one designs with the client, but also to export these values, designing solutions in tune with different international requirements.
Molteni &C combines advanced technology with old fashioned tradition. From the seventies on, it has taken a distinctive direction: that of ongoing research into the modular furnishings sector, working with Luca Meda to produce a series of ideas for every room in the house, from the wardrobe to the living area to the study/ home office.
Its highly successful sets of modular furnishings such as 505, Gliss5th and Pass, just to name a few, are in constant evolution. Molteni is considered a leader in this sector. Over and above these success stories, Molteni has been producing a wide range of single pieces of furniture since the eighties which can be combined to create an elegant and functional environment.
Since 1994 Paola Lenti has followed a coherent and dynamic entrepreneurial strategy based on research and experimentation which has led the Company to establish itself as an international reference in the world of design.
Turning the pages of a Paola Lenti catalogue is like discovering balanced and essential new design landscapes where opposites become complementary: past and present, interior and exterior, tradition and technology. In this approach one can find a serene coexistence of seemingly diverse influences: where metal and wood structures are designed to be durable; where modern and comfortable interiors seating live side by side with the newest solutions for exteriors; where elegant hand-crocheted floral rugs are created with high-tech yarns.
Born in 1975, Penta marked out immediately in the furnishing market for the originality of its proposal: production and sale of basic complements to decorate the house. However, the firm belief that being successful meant offering excellent quality together with an intriguing and recognizable design, pushed the firm to specialize in one of the original branches: lighting.
Since 1925 the Porro family manages a company supporting a unique furnishing philosophy, matching handicraft tradition of the time with the most modern advanced manufacturing and information technologies. The furnishing culture as family wealth, together with the diktats, production is based on, that is formal cleanness, shape and function geometry, are the buttonholes allowing Porro to consistently get a more and more consistent international market share without forgetting or betraying its origins. The brand at present too stands out for its product quality and customer service. Two basic features which still depend on the consistent connection to the local territory supporting Porro foundation and growth, to the skill and expertise of its employees and finally to an extremely flexible production and manufacturing activity organisation, consistently and rapidly complying with any standard or customised request.
Since the foundation in 2006, Pulpo is famous for its colourful home accessories. The assortment was enlarged with furniture and lamps until today. Pulpo worked together with namely designers and architects of the entire world.
Roda was founded in 1990 as a company specializing in the production of top quality outdoor furniture. The company’s success was assured thanks to its passion and experience, combined with the acute intuition of its founder, Roberto Pompa, one of the first Italians to work on the new Interior Garden concept: an interior garden that does away with the increasingly transient boundary between indoors and out. Roda really established itself in Italy and Europe from 1990 to 2000, specializing in teak furniture production distinguished by its quality and excellent design.
Serralunga, se funda en Biella en 1825. El nombre de la sociedad es el de la familia, que desde hace seis generaciones es el corazón que impulsa, tanto a nivel creativo como empresarial, la actividad de fabricante de muebles de jardín. Nacida como curtiduría, pasa después a la elaboración del cuero con objetivos industriales. La verdadera revolución llega con la elaboración del plástico y posteriormente con la importación desde Estados Unidos del sistema de diseño rotacional del cual derivan muchísimos objetos de mobiliario urbano como macetas luminosas e iluminación exterior, todos Made in Italy.
Ubicada desde hace casi dos siglos en el mismo lugar, la empresa fabrica productos totalmente Made in Italy, en Biella, en la calle del mismo nombre que la ciudad ha querido dedicar a la familia Serralunga, en un establecimiento de 12.000 m2 en el que trabajan 65 personas de forma directa y otras tantas de manera indirecta. Aquí se elaboran más de 1.200 toneladas de plástico al año, con un total de unas 200.000 piezas de muebles de jardín producidas.
Cassina bought the trademark of Simon Gavina two historic brands that carry on the history of Italian design. The fundamental concept of the company, founded in 1968, is to continue to think and produce pieces of furniture that have created the roots of the culture of design, furnishings that are now timeless classics that have established a dialogue between artistic research and production - Collection Ultramobile -and they have exceeded the limits of rationalism elevating the project to the great traditional values - Collection Ultrarazionale. The collections include works by artists such as Carlo Scarpa, Marcel Breuer, Kazuhide Takahama, Tobia Scarpa, Man Ray and Meret Oppenheim. The result is a perfect combination that allows the rich and historical works of poetry, revive and give more passion to the history of design.
Since it was set up in 2004, spHaus has focused most of its resources on the international supply segment. Thanks to collaborations with important design studios and renowned contract agencies, the company made its mark in just a few years following its participation in numerous international tenders where its products became distinctive parts of various projects. We have furnished restaurants, hotel lobbies, bars, lounge areas, waiting rooms of managerial complexes, airport waiting areas, clothing stores and showrooms, gym relax areas, spas, schools and universities all over the world.
Studio Italia Design has been the premier designer and producer of modern lighting fixtures since their start in 1950. Based in Venice, Italy their fixtures display the highest quality and design standards and epitomize the prestigious label: “Made in Italy.” They use only the finest materials such as hand-blown glass diffusers crafted in Murano which are then combined with stainless steel, brass and aluminium accents in a variety of finishes.
Never before has tradition been as valuableasit is today. Tecta is synonymous for theBauhaus movement – but with a forward-thinking approach.
Lauenförde lies along the undulating banks of the river Weser. For over 40 years avant-garde designers have flocked to the town with a population of 3,000: be it British architects Peter & Alison Smithson, Mies vander Rohe’s architect, Sergius Ruegenberg, Jean Prouvé, Stefan Wewerka or the great Bauhaus thinkers such as the Gropius family.
Today run by Axel Bruchhäuser and his nephew Christian Drescher, Tecta’s mission and responsibility is to preserve and review the best ideas and designs of modernism as created by the Bauhaus movement in Weimar or Dessau. In addition, we are driven by the desire to think forward, enhance and adapt them.
Verpan is the foremost manufacturer of lighting and furniture from famous Danish designer Verner Panton. Verpan produces a wide range of pendant, floor and table lighting from Verner Panton, in addition to classic chairs and furniture.
La colección Viccarbe contiene y refleja un estilo de vida contemporáneo a través de unos productos comprometidos con las necesidades actuales en el equipamiento del hábitat. Una colección caracterizada por una sencillez cualitativa, elegancia innovadora e identidad global; capaz de proponer nuevas formas de relación y comunicación con el usuario e integrarse con naturalidad en diversos ambientes: Una colección que se inserta en el marco de lo atemporal para quien vive el presente y piensa en el futuro.
Julien Vidame discovered his true passion in a school of arts where he had the opportunity to experiment with various techniques. He confirmed his taste for art and especially his desire to create objects which stand out by their refined and interactive style.
Impatient to discover the work reality, Julien Vidame quit the course during the second year and decided to try his luck in London, where after several weeks trough the town meeting designers he was finally hired.
Back in Brittany after one year, Julien Vidame developed dozens of prototypes of a photo frame and a mirror. When these two products were completely successful ; patent, packaging, brochure, business strategy, a first series was made. Several orders one of which from the " Centre Pompidou " allowed him to launch and develop his creations.
COCINAS CON PERSONALIDAD Cada persona es distinta. Todos deseamos despuntar y distinguirnos, expresar nuestra individualidad y personalidad y la cocina no es una excepción. En este sentido, WARENDORF también es único. Ninguna cocina es igual a otra, cada una se concibe de acuerdo con el gusto individual, las preferencias y objetivos de sus usuarios, siempre en armonía de formas y colores. Marcamos tendencia en técnica y calidad. Muestra de ello son los clientes satisfechos que hemos ido acumulando en WARENDORF desde 1973. Las cocinas WARENDORF muestran qué libertades y opciones son posibles de brindar.
Tradition and innovation, pragmatism and creativity, the strength of metal and the lightness of ideas, those of designers and those of customers. Because at YDF the factory remains the beating heart where you give exact shape to every wish or need, even the most complex, with the accuracy of a bespoke tailoring. Beating heart where all began in the early Seventies. Engine, the passion for metalworking: a 360° handling for the creation of the most diverse objects, mainly pointed towards third companies within the furniture industry. Over time production and working techniques innovate and diversify, but stay anchored to its roots, that proudly sink in metal: iron, steel, stainless steel, brass, copper, bronze or aluminum.
Today YDF masters the entire production process: specialized in CUSTOM engineering and fabrication, we propose as ideal partner for qualified and demanding customers in terms of quality and reliability.
La empresa Yomei fue fundada por André Schelbach en julio de 2006. Su trabajo de diseñador en el estu-dio de diseño s-designteam marcó notablemente la evolución de André Schelbach. Con una mezcla de ambición artística y sano pragma-tismo él desarrolló su estilo propio. Su colección incorpora muebles sueltos únicos y funcionales con el sello “Made in Germany”, o lo que es lo mismo “Hecho en Alemania”.El nombre Yomei procede del japonés y signiﬁ ca “excelente”. En este país pasó André Schelbach parte de su vida.
Established in 1954, Zanotta is one of the recognized leaders in Italian industrial design since ever.
Guided by the insight and wondeful entrepreneurship abilities of the founder, Aurelio Zanotta, starting from the 1960s it won and has held the international spotlight, thanks to its products: these are emblematic from the viewpoint of formal innovation as well as of the technological research, aiming at a continuous evolution in the materials quality and in the production processes.
Internationally famed architects and designers have always been called in to create the products. Some of them are: Achille and Pier Giacomo Castiglioni, Gae Aulenti, Marco Zanuso, Ettore Sottsass, Joe Colombo, Alessandro Mendini, Andrea Branzi, Carlo Mollino, De Pas-D'Urbino-Lomazzi, Enzo Mari, Bruno Munari, Roberto Barbieri, Ross Lovegrove, Ludovica+Roberto Palomba, Damian Williamson.
Many iconic products became established over the years of the Zanotta history, i.e. from design classics have really become long-sellers pieces.